‘Ant-Man’ review: A little hero and a lot to like

‘Ant-Man’ review: A little hero and a lot to like

ct-ant-man-movie-review-20150713-001“Ant-Man” has been skittering around the development corridors of Hollywood so long, the earliest unproduced screenplays about the tiny superhero actually preceded the Disney film “Honey, I Shrunk the Kids.” That was another age (1989), decades before our present Age of Ultron — an epoch of expensive cheap thrills dictated by the steady, crushing rollout of so many Marvel movies that even the good ones start to seem like ants at an endless picnic.

But wait. The “Ant-Man” we have now before us, half-an-inch tall and played by genial, skillful Paul Rudd, turns out to be better company than you’d think possible in a multi-strand franchise lousy with corporate directives.

The plot’s the same old thing. Mad, mad, mad, mad science; imminent apocalypse; parent/child issues; blah blah blaggidy blah. The tone of “Ant-Man,” however, is relatively light and predominantly comic. Those who feel they need a break from the numbing destruction of the “Avengers”/”Captain America” movies will likely enjoy it.
lRelated ‘Minions’ review: Too much mellow yellow wears thin

“Ant-Man” is a frisky hybrid — part “Land of the Giants,” part heist film a la “11 Harrowhouse,” but with Rudd leading an army of ants against the villain, Yellowjacket, played by the excellent character actor Corey Stoll. The set-up finds burglar Scott Lang (Rudd) getting released from three years in San Quentin. His ex-wife, Maggie (Judy Greer, never in a role big enough for her talent), has custody of their daughter (Abby Ryder Fortson). The stepfather figure in the girl’s life (Bobby Cannavale) is a sympathetic cop who doesn’t like Lang’s rap sheet and wonders if he’ll continue his life of crime.

Lang and his old pals (Michael Pena chief among them) learn of a safe inside a mansion belonging to some old rich crank, just begging to be robbed. The crank is one Hank Pym (Michael Douglas, solid if a little dull), whose big secret involves something called the Pym Particle. This enables humans to shrink down to ant size and then back up to human size, in a flash. Pym targets Lang for the next phase of the experiment, conducted with the surly but charismatic help of Pym’s daughter Hope (Evangeline Lilly).

The shrink gimmick of “Ant-Man” is simple and fetching. It may appeal to the younger segment of the Marvel audience more so than the jaded older teenagers and adults accustomed to wearying mass slaughter and entire cities being lifted up in the sky. The climactic smackdown between Rudd and Stoll takes place largely on a toy train set, and when director Peyton Reed cuts away from the close-up action to longer shots, the effect is very funny, as if a pair of invisible preteens were knocking around a Thomas the Tank Engine, happily.
‘Minions’ – 2.5 stars
‘The Gallows’ – 2.5 stars

We’ll never know how much of what works in “Ant-Man” relates to the input of Edgar Wright (“Hot Fuzz,” “The World’s End,” “Scott Pilgrim vs. the World”), the first director assigned to the movie. Reed (“Down with Love”) replaced Wright, though Wright retains producer and co-screenwriting credit, along with Joe Cornish. The second credited writing team, Adam McKay and Paul Rudd, presumably took things in a direction more pleasing to the Marvel folks while adding a few more jokes. Plus heart! Can’t forget the heart. Also there’s a cameo from a back-bench “Avengers” superhero setting up Ant-Man’s future screen appearances.

Time will tell whether a movie such as “Ant-Man,” in which conventional firearms are so rewardingly irrelevant, can find a big audience. But it’s more fun than “Avengers 2.”

‘Ant-Man’ review: A little hero and a lot to like

Universal Hits $3B At International Box Office In Industry-Record Time – And A First For The Studio

Universal Hits $3B At International Box Office In Industry-Record Time – And A First For The Studio

 

jurassic world

The studio hit $1B, then $2B and now $3B in record time. Universal just keeps taking bites out of box office records domestically, internationally and worldwide. Driven by a plethora of hits — from Fifty Shades Of Grey and Furious 7 to Jurassic World and Minions — Universal Pictures fast-and-furious-7International has just jumped past the $3B milestone, becoming the fastest of any studio to do that. Furious 7 and Jurassic World handed UPI two-thirds of that gross. It also marks the first time in its 103-year history that Universal has reached that height at the international box office.

The hits are expected to keep coming for the studio with Judd Apatow’s next comedy Trainwreck, starring Amy Schumer and Bill Hader, which bows in two weeks, and F. Gary Gray’s Straight Outta Compton, which arrives August 14. And then … expect a bit of a breather from the studio.

Now, let’s look at the lineup UPI has had: Fifty Shades Of Grey ($403.6 million internationally), Fast & Furious 7 ($1.16 billion), Pitch Perfect 2 ($96.6 million), Jurassic World ($843.9 million and counting) and early results in 26 international territories from Minions ($141.7 million).

universal-pictures-logo-2013__140130232555__140321183123-275x141__140404181950Now for the records — though they are seriously too numerous to count: Because of Jurassic World, Universal was able to have bragging rights to the quickest climb to $1B domestic — beating the previous record ascendance achieved by Paramount on June 22, 2008. It also hit the $3B worldwide combo of domestic/international earlier this year, passing Fox’s previous race to the milestone on June 30, 2010.

Other records? Universal currently has three of the four highest-grossing films of the year, and its films opened No. 1 worldwide three times in 2015 and have been No. 1 at the international box office for nine weekFifty Shades Of Grey Trailers — more than any other studio.

Now let’s look at the individual pictures in order of appearance: Fifty Shades of Grey is studio’s highest-grossing R-rated film of all time. The film has grossed $403.6M at the international box office.

'Furious 7' Pulls Ahead At Friday B.O.Fast & Furious 7 (as it was titled in international markets) grossed $1.16B at the international box office. Among countless milestones, Fast & Furious 7 is the highest-grossing film ever in China ($390.8M) and the third-highest-grossing film at the international box office ever, joining Avatar and Titanic as only the films in history to reach $1B in international box office. Um, that is, until the dinosaurs came stomping through.

jurassic world 2Jurassic World became the fastest film to reach $1B worldwide, doing so after only 13 days in release. It went down in history as having had the biggest opening weekend of all-time internationally, domestically and worldwide. It ranks as the fifth-highest-grossing film of all-time worldwide behind Avatar, Titanic, Marvel’s The Avengers and Universal’s own Furious 7, and is known as the ninth-highest-grossing film internationally.

And it’s still playing, grabbing a total of $43.3M last weekend alone, with its final territory, Japan, opening August 5.

Pitch-Perfect-2-640x427Also gotta give props to breakout hit Pitch Perfect 2, the musical comedy that came out of nowhere and started shoving Mad Max: Fury Road around in heated competition, especially Down Under. The female-directed film (Elizabeth Banks) is still playing in 49 territories and is on the verge of crossing $100M, stepping to the tune of around $280M worldwide to date. It has yet to open in 13 more territories before its performance is through.

“We are proud of our slate and the accompanying success, which is due to the hard work of our filmmakers and our tireless Universal Pictures team,” UPI President of Distribution Duncan Clark said in a statement today. “From our production group, who have been so brilliant at nurturing our homegrown franchises, to the best marketing and distribution teams in the business — both in London and Los Angeles — and our dedicated teams around the world, this year has been a joy for every member of our organization.”

Universal Hits $3B At International Box Office In Industry-Record Time – And A First For The Studio

Minecraft Beta Version to be Released with Windows 10 on July 29

Minecraft Beta Version to be Released with Windows 10 on July 29

rtx1j11bMojang announced the release of Minecraft’s newest version together with Microsoft’s Windows 10 Edition during the last Minecon. The Minecraft: Windows 10 Edition will be released on July 29.

Minecraft for Windows 10 is the beta version of the earlier Minecraft games. Its release was also posted on Mojang’s blog article last July 4.

According to the blog post, the new Minecraft will be released complete with the 1.9 update. It will still include some features from its earlier PC version, but this time with the aim to allow its players to enjoy gaming with mobile and console users.

The multiplayer feature of the beta version will only allow a maximum of eight players for PC and Xbox Live. The new version will still include both survival and creative mode where players get to build their world and enjoy character abilities.

Players will also get the chance to record their gameplay with the DVR feature. More gamers are recording their gameplay to either provide tips to other gamers or to simply get feedback which can help them improve their play. The DVR feature will make this task easier for them.

Part of the announcement posted on Mojang’s blog was Microsoft’s desire to further develop the said game. The previous version was known as “Java”, which later on included an edition for mobile users.

The developers called the newest Windows 10 edition as “beta” to note their desire to further improve the game. The company further noted that they will be adding up new features and other updates in the future.

Upon release, those with PC versions will get the update of the newest Minecraft for free. For those who haven’t had the previous version, they can acquire it at US$10 (AU$13.38) while it’s still under beta.

Disney Reaches Another Milestone In Record Time: $2B International Box Office

Disney Reaches Another Milestone In Record Time: $2B International Box Office

 

inside out 2

After crossing $3B worldwide last week, Disney has now set another benchmark with $2B at the international box office so far in 2015. This is the sixth year in a row for the studio and is the fastest it’s ever made the climb. Last year, the mouse roared to $2B on August 3. The current estimated international total is $2.012B with $3.19B global.

This is the latest in a string of milestones for the Hollywood majors as summer box office blooms. Disney also has over $1B at the domestic box office, which it achieved in record time on June 25.

Ultron and CinderellaFilms propelling the studio to new heights include Avengers: Age Of Ultron, whose international box office now sits at $933.3M after this frame; Cinderella at $340M; and Inside Out, which jumped to $151.8M this weekend. It added $19.1M in the session, aided by a strong debut in Korea at $5.1M — the biggest Pixar opening of all time in the market.

Ant-Man 1

Next week sees Paul Rudd shrink to fit the Ant-Man costume in Marvel’s latest superhero tale. The movie screened for exhibitors at CineEurope in Barcelona last month to strongly positive reaction and has been garnering critical praise as its July 14 release approaches internationally. Domestic bows July 17.

 

Disney Reaches Another Milestone In Record Time: $2B International Box Office

‘Minions’ Henchmen Nab $124M & No. 1; ‘Terminator’ Generates $47M; ‘Baahubali’, China See Big Bows – Intl B. O. Update

‘Minions’ Henchmen Nab $124M & No. 1; ‘Terminator’ Generates $47M; ‘Baahubali’, China See Big Bows – Intl B. O. Update

 

Film Title: Minions

cinemaworld2ND UPDATE, 3:45 PM PT: The top two pictures internationally this session are the same as last week, only they switched places. With an expansion to 30 more markets, Minions rose to No. 1 in its 4th frame with $124.3M and a global cume approaching $400M. Last week’s champ, Terminator: Genisys, moved to 2nd place with $47.3M and in a handful of new territories. Looking at the Top 10 Hollywood movies playing internationally, this week’s frame was up almost 10% over last. When we include local language pics in the Top 10 offshore, this session was 26% higher than the previous frame — there were big plays in China with the Nos. 3 and 4 films on the international chart hailing from the Middle Kingdom. India’s Baahubali: The Beginning was also a smash this frame with an opening north of $20M, although full figures are not yet available.

When comparing it to last year, this frame across the Top 10 Hollywood movies is also up — about 18%. At the international box office in the similar 2014 period, Transformers: Age Of Extinction was still packing picturehouses with a $100M weekend, followed by How To Train Your Dragon 2 at $35M and the rise of Dawn Of The Planet Of The Apes at just over $31M in its debut.

Ant-Man 1Next week, Paul Rudd will aim to charm worldwide audiences as Ant-Man. The latest from Marvel is going out day-and-date beginning July 14 in France and rolling out to Brazil, Mexico, Russia and about 50 total markets over the weekend as it also bows Stateside. The full film screened to very positive reaction at CineEurope in Barcelona Pixels Pac Manlast month. Also next frame, Sony’s Pixels will descend on Korea. It’s getting a jump on a major day-and-date rollout that starts July 22. Extended footage from the high-concept Adam Sandler-saves-the-world-from-alien-influenced-1980s-arcade-games pic was also shown in Barcelona to much delight.

 The rest of the plays next week are largely expansions and holds. Inside Out notably opens in Japan where the love is great for all things Pixar. Locally, India is getting ready for Salman Khan’s Bajrangi Bhaijaan to coincide with the Eid-al-fitr holiday, although that film could now see part of its mojo stolen by this weekend’s Baahubali.

See below the original post for more on that film (including trailer) and other local titles. Actuals tomorrow.

PREVIOUS, 11:15 AM PT, WRITETHRU: This weekend at the international box office was largely a holdover/expansion session, but that didn’t take away from the action as Universal and Illumination’s Minions added 30 markets and claimed the No. 1 spot in its 4th frame of release. The weekend was worth $124.3M offshore where the Despicable Me 2 spinoff now has an estimated cume of $280.5M. The global total thus far is $395.7M. Records continue to be set by the little yellow fellows with the top animated opening ever in 25 overseas territories. The only places it has not opened No. 1 out of 56 markets thus far, are Australia (where U’s Jurassic World was the No. 1 film that particular week) and India where its debut this frame faced off with epic local actioner Baahubali: The Beginning, itself a record smasher. As for last week’s winner, Terminator: Genisys has come in No. 2 internationally with $47.3M in 60 territories. The offshore cume for Arnold Schwarzenegger’s return to the Paramount franchise is $156.1M. Notable openings were in Japan, Germany, Spain, Italy and Argentina (details below).

Elsewhere, Disney/Pixar’s Inside Out headed to Korea, Ted 2 hit the UK and Magic Mike XXL lap-danced to Oz, Brazil and France among others. In China, where the unofficial blackout period continues, coming of age tale Forever Young and franchise fourquel Tiny Times 4 released, landing the No. 3 and 4 slots on the international chart. (More on those and other local films including Baahubali to come.) Here’s a look thus far at how the studios fared overseas in the frame:

Minions
movies-minions-scarlet-overkillAmong highlights for henchmen Stuart, Kevin and Bob is Mexico and its $19.7M opening this weekend — the 2nd biggest ever for all films. With 79% of the market, it’s running 30% higher than DM2. This was the 2nd biggest market for that film.

The prequel also bowed in Russia with 73% market share and $14.3M in the bank. Universal now boasts the Top 2 openers ever in Russia with Furious 7 and Minions. Notably, Minions is the biggest opening of all time in terms of admissions (the ruble being extremely soft against the dollar these days). Minions also opened twice as big as DM2.

France, where DM2 was huge and this film has extra wanna see thanks to co-helmer Pierre Coffin, local animation company Illumination Mac Guff and, in the provinces, the famous local voice cast, has overwhelmingly embraced Minions. The No. 1 opening at $12.1M is not only the year’s biggest start, it’s also the best since 2012. It’s Universal’s biggest opening day and weekend of all time here. Admissions are 70% higher than Despicable Me 2’s opening.

Also of note, Venezuela opened No. 1 with $5.6M and set the record as the biggest opening weekend ever for all films. There are 11 more territories to release over the next two months.

Terminator: Genisys
TERMINATOR GENISYSWith an additional 14 markets, Terminator: Genisys booted up $47.3M for an overseas cume of $156.1M. Now playing in 60 offshore markets, the drop from last frame was 35%. Notable new plays included Japan, Germany, Spain, Italy and Argentina where it’s being comped to such pics as Pacific Rim, Mission: Impossible – Ghost Protocol and Lucy. For the new group of markets, T:G was 27% above PR, 32% below MIGP and 10% under Lucy. It was the biggest opening for the franchise in three of the overall new markets and the best for Arnold in four. Among those, Argentina grossed $2.3M at 157 cinemas — 393% above MIGP and also gave Paramount its top opening ever.

Japan, which was the biggest market for the last two Terminator films, opened to $5.4M at 339 locations. Paramount isn’t using the previous movies in the franchise as comps since projections on T:G’s ultimate outcome are above those. Thus, the Japan bow is double the opening of World War Z, 121% above Pacific Rim and 9% below MIGP.

Germany was a No. 2 bow behind Minions, delivering $3.1M from 554 sites, 10% below MIGP and 6% below X-Men: Days Of Future Past. Spain opened to $1.4M at 373 locations. Also No. 2 there, it’s 27% above Pacific Rim and 39% below MIGP — and is also the biggest opening for the former governor. Italy was a No. 1 bow with $1.2M at 530 cinemas, 8% above Pacific Rim and 53% below MIGP. The Netherlands provided $605K at 90 sites for a 3rd place start that’s 28% above Pacific Rim and 19% below MIGP.

Holdovers pulled a lot of the weekend weight with Korea taking $5.1M at 775 cinemas, dropping 54% from last. The cume there is $19M. Russia grossed $3.8M in the 2nd session at 1,121 locations. The local cume is $19.1M. Elsewhere, new grosses and cumes are as follows: UK ($2.7M/$11.5M), Brazil ($2.7M/$8.1M), Australia ($2.2M/$8M), France ($1.9M/$6.9M) and Mexico ($1.6M/$9.7M).

Jurassic World
jurassic worldJurassic World’s international weekend estimate is $21.7M bringing the offshore dino dollar total to $875.2M. Playing in 65 territories, it has now passed Frozen‘s overseas lifetime of $873.6M to become the 7th highest-grossing film ever internationally. Insidious Rex and the raptors still have to stomp into Japan, the next and last release, which rolls around August 5.

Inside Out
inside out 2Off of a $5.1M bow in Korea, Inside Out added $19.1M this frame which had it playing in 44 territories repping 48% of its international footprint. The offshore cume after its 4th frame is $151.8M for a global total of $435.44M. In Korea, Pete Docter’s charmer is the biggest Pixar opening of all time in the territory – besting Toy Story 3 by 17% and equaling almost the entire lifetime of Monsters University.

Holds throughout the run have been strong and this weekend was no different, demonstrating the emotional connection folks are finding with the film. Australia put Inside Out into the top spot in its 4th frame (after an increase in Oz box office last session, IO dropped just 6% this time around) while New Zealand jumped 39% this weekend; Argentina rose 12% and Brazil dropped just 5%.

In Mexico, IO’s top offshore play at $27.7M, it is the highest grossing Disney/Pixar original IP animated release of all-time, ahead of Frozen. In Russia, IO has spread so much joy that it’s the first Pixar movie to exceed 1B rubles and is the No. 2 Disney/Pixar animated release of all-time, behind only Frozen. In India, a market known for its local tastes, Inside Out is now the biggest Disney/Pixar animated release of all time and in Ukraine is the highest grossing Pixar release ever.

Much as with Minions, the rollout will continue over the next months. Next weekend sees openings in Spain and Japan as well as the Netherlands. The UK, Italy and Germany are still to come – as is China which is not yet dated.

Ted 2
ted 2Seth MacFarlane’s Ted 2 grossed another $12.4M for Universal in 35 territories. The overseas cume is now $53.2M. Among the new markets, the UK bowed at No. 2 with $6M; Peru opened at No. 1 with $438K — the biggest opening day ever for an R-rated comedy; and Poland debuted at No. 2 with $573K, 16% ahead of Ted. In holds, Germany was No. 4 with $1.3M and up 4% over last week. The cume there is $7.5M. Australia’s 3rd week was down 46% to $954K for an 18-day total of $8M. Mark Wahlberg and the bear have 27 more territories to open with Denmark, Finland, Greece, Hungary, Norway, Sweden and Vietnam on deck for next weekend.

Magic Mike XXL
Magic Mike XXLWarner Bros’ Magic Mike XXL shimmied down to Australia this weekend with $4M in dollar bills on 401 screens. That includes previews and Warner says the film is primed to take the No. 1 slot where it’s in contention with Inside Out and Minions for the honor. Overall, MMXXL added $10.3M this session in 30 markets and on about 3,800 screens. The offshore cume is $20.5M. Elsewhere, France opened to $563K on 295 screens. In holds, the UK added $1.6M from 551 screens for a $6.3M total to date. Holland increased 28% to add $351K on 117 screens. The cume is $1.5M. Germany and Brazil release later this month.

Insidious: Chapter 3
Sony’s Insidious: Chapter 3 numbers show $3.9M creeping into the now $47M cume. Playing on 1,890 screens in 50 territories this weekend, I:C3 notably opened in Korea to $1.5M. In France, it grossed $945K on 245 screens. Both debuts landed at No. 6. In holdovers, Germany was just 1% off from last week, adding $550K for a $1.5M cume, and Mexico now has a total of $4.5M. Australia and Brazil open later in the month.

Avengers: Age Of Ultron
Avengers Age of Ultron Saturday Impacted by Mayweather Pacquiao FightAs it winds down its overseas run, Avengers: Age Of Ultron picked up a further $2.9M in the frame, bringing the international cume to $933.3M for a global total of $1,388.5M. Its last market is Japan where after the 2nd session it now has a cume of $13.5M. Japan tends to do better with the ensemble Avengers pics — the 2012 first movie ultimately hammered out over $45M — as opposed to the standalones. AOU’s gross after nine days has already bested the entire runs of Captain America: The Winter Soldier, Thor: The Dark World and Guardians Of The Galaxy.

Paper Towns
Paper TownsFox’s Paper Towns has begun its international rollout with Brazil the first market to release. At No. 3 in box office after Minions and Terminator: Genisys, it earned $2.4M from 630 screens. The latest adaptation of a John Green book was the No. 2 film in terms of admissions in Brazil where last year’s The Fault In Our Stars had a stellar run. Paper Towns opens wide the week of July 20.

Spy
Spy uncovered another $1.68M in the frame to bring the international total to $116.4M. The Melissa McCarthy-starrer from Fox is winding down its run with Italy the final market to release next week.

The Gallows
Beginning its international hang, The Gallows opened in 13 smaller territories for Warner Bros, grossing $1.2M on 473 screens. The UK and Mexico are on deck for next weekend.

Poltergeist
Poltergeist scared up another $1M at the weekend with a new opening in Hong Kong of $275K on 65 screens. The offshore total is now $47.2M with three markets still to come — Korea is last in October.

Dragon Ball Z: Resurrection F
Fox International Productions’ Japanese title Dragon Ball Z: Resurrection F added $658K to take the cume past $50M at $50.4M. Uruguay was this week’s opener on six screens for $5,475.

LOCAL-LANGUAGE
CHINA
forever youngDespite pretty harsh reviews, Chinese coming-of-age title Forever Young won the weekend at the Middle Kingdom box office. It’s the directorial debut of TV personality He Jiong and fashioned somewhat out of a song he recorded several years ago, Gardenia In Blossom. The pic has grossed $38.5M since releasing July 10. These kinds of stories are popular in China so the performance is hardly a surprise, although it slightly edged out Tiny Times 4, the latest in that coming-of-age franchise which grossed $36M in the debut frame and has a cume of $54M throughout the week. Also new to the chart was Monkey King: Hero Is Back, an animated 3D take on the age-old tale. With $10M at the weekend, its total is now $11.5M. And, last week’s new entry to the unofficial Chinese blackout period, The Monk Comes Down The Mountain, added $6M for a cume to date of $58M.

INDIA
baahubaliSS Rajamouli’s Baahubali released in about 4,200 theaters worldwide and crossed the coveted 100 crore mark in just two days, according to local reports, taking in 135 crore ($21.3M) on Friday and Saturday. The North American debut was $3M in 170 theaters, but exact figures are not yet available in India alone — this is a particularly wide release for a southern title, with several different versions. However, to put that 135 crore figure into perspective, Jurassic World opened in India on June 12 and passed 100 crore on July 10. With an estimated opening day of 50+ crore, Baahubali broke the previous record set by Shah Rukh Khan’s Happy New Year which released at Diwali in 2014. Baahubali stars Prabhas, a fixture of Tollywood (as the Telugu industry is known) and Anushka Shetty who also toils in the Tamil business, or Kollywood. The film is a period war saga that has been shot in two parts at a reported budget of $40M with versions in Tamil, Telugu, Hindi and Malayalam. Some are already calling the first installment of the film an instant classic; the second part is expected in 2016. Once we can get more exact figures on this, we’ll take a closer look — especially in light of the upcoming release this week of Salman Khan’s Bajrangi Bhaijaan.

‘Minions’ Henchmen Nab $124M & No. 1; ‘Terminator’ Generates $47M; ‘Baahubali’, China See Big Bows – Intl B. O. Update