Microsoft’s ownership of “Minecraft” has made for some decidedly strange situations.
There was none more bizarre than this week, when company executive Phil Spencer celebrated the launch of “Minecraft” for Nintendo’s hot new game console, the Switch. As of May 11, you can buy and play “Minecraft: Nintendo Switch Edition,” a fact Spencer touted on Twitter:
What makes this so weird is Spencer is the guy in charge of Microsoft’s gaming division. That makes him responsible for sales of Microsoft’s Xbox One game console. And the Switch is Nintendo’s latest rival to the Xbox One.
In the game business, great games drive hardware sales. Consumers often buy particular consoles because they want to play a hit new game.
View photos
With that in mind, console makers have tried to develop blockbuster games that they have exclusive rights too. And they typically reserve those games for their own platforms. For example, “Halo,” “Forza Motorsport,” “Gears of War” and other game franchises that Microsoft owns are only available for its Xbox consoles or PCs running its Windows operating system.
The idea is that those franchises will drive people to buy Microsoft hardware (in the case of the Xbox One) or software (in the case of Windows 10).
Spencer is in charge of overseeing Microsoft’s games in addition to its consoles. So you might think he’d want to use “Minecraft” to help boost the Xbox One, not one of its chief rivals. After all, “Minecraft” is one of the most popular games in the world. Instead, here he was not only green lighting a game that could boost the Switch, he was celebrating its launch!
But such weird situations are nothing new. Microsoft has been placed in them repeatedly ever since it purchased “Minecraft” back in 2014. That’s because Microsoft has continued to support the game on a whole slew of platforms it doesn’t control. You can play it on your phone (iPhone and Android), on your tablet, on your computer (PC or Mac), and even on Sony’s PlayStation 4.
Heck, the Switch isn’t even the first Nintendo console for “Minecraft” to appear on. Microsoft previously released a version of the game for the Wii U, Nintendo’s last home console.
Which isn’t to say there’s something wrong with Microsoft preserving the legacy of “Minecraft” as a game you can play on pretty much anything.It might be a smart business move! And from a consumer’s perspective, it’s mighty nice to be able to play the game on any platform you want. But that situation is a tremendous outlier in terms of typical game industry strategy, and it sticks out as a result.
It’s outright fantastic that “Minecraft” just launched on the Nintendo Switch, a platform that makes perfect sense for it. It’s also outright bizarre that Microsoft is responsible for making that happen.
HELLBOY TO GET HORROR REBOOT? WE’VE SEEN STRANGER THINGS
(Photo by Universal, Curtis Baker/Netflix courtesy Everett Collection)
This week’s biggest and most surprising news was sort of a confluence of two stories from earlier in the year. First, there was the Twitter announcement from director Guillermo Del Toro in February that, “Hellboy 3 Sorry to report: Spoke w all parties. Must report that 100% the sequel will not happen. And that is to be the final thing about it.” Note that Del Toro was speaking specifically about a sequel to the two Hellboy movies that he directed, starring Ron Perlman. Also, earlier this year, David Harbour (Stranger Things) was in contention for the role of Cable in Deadpool 2, suggesting he was interested in starring in a comic book movie — that role eventually went to Josh Brolin instead. Put all of that together, and it leads to this week’s news of a Hellboy reboot starring David Harbour and directed by Neil Marshall (The Descent, the Blackwater and Watchers on the Wall episodes of Game of Thrones.) The new movie, possibly titled Hellboy: Rise of the Blood Queen, will be from Millennium Films, the company best known for mid-level budget action movies like The Expendables and Olympus Has Fallen. The Hellboy reboot was described by its new screenwriter as, “a darker, more gruesome version of Hellboy… walk[ing] a razor’s edge between horror and comic book movie.”
Fresh Developments
1. CLIFF CURTIS CAST IN THE AVATAR SEQUELS AS “REEF PEOPLE” LEADER
(Photo by Fox Searchlight)
Even those who never saw James Cameron’s 2009 hit Avatar are likely to know it involved blue aliens that looked like a cross between deer and elves (i.e. the Na’vi). Cameron has been talking about his sequels for years and years now, including the detail that the story would be moving to Pandora’s oceans. This week, Fox and Cameron revealed their first new cast member, confirming the new setting. Prolific character actor Cliff Curtis, currently starring on AMC’s Fear the Walking Dead, has signed on to play “Tonowari, the leader of the Metkayina reef people clan.” What we don’t know from that description is whether the “reef people” are also Na’vi, another Pandoran race, or a little bit of both. 20th Century Fox has scheduled the four Avatar sequels for December dates in 2020, 2021, 2024, and 2025, starting with Avatar 2 on December 18, 2020.
2. HUGH BONNEVILLE TO PORTRAY ROALD DAHL IN BIOPIC
(Photo by Laurie Sparham/Weinstein Company courtesy Everett Collection)
The works of British children’s authors have inspired a number of big screen adaptations, but their lives themselves have also provided some rich material. Some notable examples include Finding Neverland (Peter Pan creator J.M. Barrie), Shadowlands (Narnia creator C.S. Lewis), Saving Mr. Banks (Mary Poppins creator P.L. Travers), and Miss Potter (Peter Rabbit creator Beatrix Potter). Another prolific British author was Roald Dahl, whom we can thank for Willy Wonka and the Chocolate Factory, James and the Giant Peach, Fantastic Mr. Fox, The Witches, Matilda, and last year’s The BFG. Well, it’s finally Dahl’s turn to receive a (shared) biopic, and the actor who has landed the role is Hugh Bonneville. Downton Abbey fans will know Bonneville for portraying Lord Robert Crawley, the 7th Earl of Grantham. The currently untitled biopic will tell “a bittersweet, comedic story focusing on Dahl’s marriage to actress Patricia Neal, [as] the story moves between New York, England and Los Angeles in the early 1960s, a time when Dahl struggled to write some of his most famous works and Neal returned to acting with Hud.”
3. BENEDICT CUMBERBATCH AND JAKE GYLLENHAAL MEET UP IN RIO
(Photo by Jason Smith, John Nacion / Everett Collection)
Italian director Luca Guadagnino has yet to have a hit in the USA, but after his debut in 2010 (I Am Love), he has continued to attract actors that suggest it might just happen for him soon. For example, Guadagnino’s 2016 film, A Bigger Splash, featured the talents of Tilda Swinton, Dakota Johnson, and Ralph Fiennes. If negotiations work out for his fourth film, titled Rio (not to be confused with the 2011 animated hit of the same name), Guardagnino will be assisted by Benedict Cumberbatch and Jake Gyllenhaal. Gyllenhaal will play a financial reporter who travels to Rio de Janeiro to visit a wealthy friend (Benedict Cumberbath), only to find himself sucked into a plot to fake his friend’s death. Like many of the films covered in this week’s Ketchup, Rio is making the news now in advance of being sold to various international markets at next week’s Cannes Film Festival.
4. ARYA STARK AND THE WITCH CONFIRMED AS WOLFSBANE AND MAGIK IN THE NEW MUTANTS
(Photo by Dee Cercone, James Atoa / Everett Collection)
Blogs, websites, and columns about film development (like this one) sometimes cover news years ahead of time, but we can’t necessarily presume everyone will remember every detail. Consider, for example, the news from March of last year about the rumored casting of two of the leads in next year’s X-Men spinoff, The New Mutants (4/13/18), to be directed by Josh Boone (The Fault in Our Stars). As it turns out, that story was on the money, but the official announcement didn’t happen until this week. Maisie Williams, best known as Arya Stark from Game of Thrones, has been cast as Rahne Sinclair, AKA Wolfsbane, a Scottish teenager with the ability to turn into a wolf (and a halfway werewolf form too). Anya Taylor-Joy, the star of last year’s The Witch (and this year’s Split) has been cast as Illyana Rasputin, AKA Magik, the little sister of Colossus, who can teleport, use magic, and also has a really big sword. As The Hollywood Reporter reports, “Fox is making serious efforts to find ethnically appropriate actors, conducting wide searches for a Native American to play Moonstar and a South American for Sunspot.” The other New Mutants will be Cannonball and Warlock, but apparently, not founding member (in the comics), Karma.
5. PETER DINKLAGE TO STAR IN “TATTOO” DRAMA, MY DINNER WITH HERVE
(Photo by MGM courtesy Everett Collection)
If you’ve been following film development news long enough, you may be familiar with a biopic called My Dinner with Herve, which refers to 1970s actor Herve Villechaize. Villechaize (who was also a dwarf) was basically known for two roles: the villain Nick Nack in the James Bond movie The Man with the Golden Gun and (more famously) Tattoo on the ABC TV show Fantasy Island. Villechaize also struggled with personal demons, ending his own life in 1993. It’s not yet known how much My Dinner with Herve will explore the latter, but we now know that Villechaize will be portrayed by Peter Dinklage, AKA Tyrion Lannister from Game of Thrones. Jamie Dornan (Fifty Shades of Grey) will costar with Dinklage as a struggling journalist who finds himself spending a wild night with Villechaize, partying at locations all over Los Angeles. HBO Films is producing, but the company may also seek a theatrical release.
6. MARGOT ROBBIE TO PRODUCE AND STAR IN 1930S DUST BOWL THRILLER DREAMLAND
(Photo by Frank Masi/Paramount Pictures courtesy Everett Collection)
Australian actress Margot Robbie is probably best known for starring as Harley Quinn in last year’s Suicide Squad and Jane in The Legend of Tarzan, but in the near future, she’ll be starring in three biopics (I, Tonya; Goodbye Christopher Robin; and Mary Queen of Scots), and she also voiced a role in next year’s animated version of Peter Rabbit. On top of all that Robbie is also taking control of her own agency by becoming a producer, and the latest film project she’s producing for herself as a starring vehicle is called Dreamland. Set during the “Dust Bowl” devastation of Depression Era America, Dreamland is a bank robber thriller about “a 15-year-old boy on his quest to capture a fugitive bank robber (Robbie) and collect the bounty on her head, all with the goal of saving his family farm from foreclosure.” Director Miles Joris-Peyrafitte is reportedly, “hoping to bring a balance of nostalgic beauty and gritty realism to the proceedings as well as a balance between a sense of romanticism and a sense of violence.”
7. DANIEL RADCLIFFE TO SHOOT AT PEOPLE, GUNS AKIMBO
(Photo by Jaap Buitendijk/Warner Bros. courtesy Everett Collection)
Another actor who continues to establish a new identity on the big screen is Daniel Radcliffe, the former Harry Potter child star. Last year saw the release of probably the craziest example of his efforts to branch out, in the form of Swiss Army Man, in which he played a corpse with amazing gastrointestinal “powers.” Radcliffe is now attached to star in an action comedy called Guns Akimbo, to be directed by New Zealand’s Jason Lei Howden, who made his debut with the heavy metal comedy Deathgasm. Radcliffe will play a man with a dead-end job who finds himself “enrolled on a dark net website that forces complete strangers to fight in a city-wide game of death so that their gladiatorial battles can be live-streamed worldwide to a fanatical audience.”
8. TOM HANKS TO STAR IN WESTERN NOVEL ADAPTATION NEWS OF THE WORLD
(Photo by Jaap Buitendijk/Walt Disney Studios courtesy Everett Collection)
Tom Hanks has obviously starred in a wide variety of films during his lengthy career, but he has yet to appear in a Western. That’s about to change, as he is now attached to star in a film adaptation of the Paulette Jiles novel News of the World, written by Luke Davies (Lion) for Fox 2000. Hanks will star as Captain Jefferson Kyle Kidd, a Texas cowboy in 1870 who “travels from town to town to read the news to locals who would otherwise not know what is going on in the world. While Kidd is sparked up by spreading the word of the passage of the 15th Amendment that gave voting rights to all men, he agrees to escort a 10-year-old white girl to her aunt and uncle in San Antonio after she was rescued from the Kiowa Indian tribe that kidnapped her and killed her family four years earlier. His traveling partner is an ornery youngster who didn’t want to be rescued and brought to her relatives.”
9. JOHNNY DEPP SAYS HELLO TO RICHARD SAYS GOODBYE
In RT’s latest 24 Frames gallery, you can browse through “24 Dicks We Love From Movies and TV” to mark the debut of Amazon’s I Love Dick. Well, Johnny Depp is now attached to star in a dramedy called Richard Says Goodbye, so we might have another to add to the list. This will be the second film from indie director Wayne Roberts, who made his debut last year with the similarly titled Katie Says Goodbye, starring Olivia Cooke, Mireille Enos, James Belushi, and Mary Steenburgen. Depp will star as “a world-weary college professor who is given a life-changing diagnosis and then decides to throw all pretense and conventions to the wind and live his life as boldly and freely as possible. With a biting sense of humor, a reckless streak and a touch of madness, he binges through every vice: smoking, drinking, sex, and hurling blunt insults at anyone who annoys him, giving him more pleasure than he’s had in years.” Johnny Depp previously starred in a similar film, Fear and Loathing in Las Vegas, based on the novel by Hunter S. Thompson.
Box Office: Guardians Vol. 2 Tops Snatched, King Arthur
The Fate of the Furious and The Boss Baby round out the top five.
This weekend two new major new releases disappointed while there were a couple of surprises near the bottom of the top 10.
The rag-tag team of misfits lead the box office for a second straight weekend as Guardians of the Galaxy Vol. 2slipped a reasonable 57% from last weekend to an estimated $63M, bringing its total to $246M after 10 days. By comparison, the original fell 55% in its second weekend so even though sequels tend to front load their grosses, Guardians 2 seems to be holding on better than most. After 10 days the original was at $176M and ended its run at $333M. Following roughly the same trajectory, and realizing the box office at the beginning of the summer is more competitive than at the end of the summer, Guardians 2 could end at around $375-400M.
Second place belonged to the leading ladies of Snatched. The R-rated comedy starring Amy Schumer and Goldie Hawn opened to a so-so $17.5M, according to estimates, from 3,501 theaters for a per screen average of $4,999. Critics were not kind as it currently sits at 36% positive on Rotten Tomatoes. Audiences didn’t seem too pleased either as it got a B CinemaScore. It doesn’t appear the counterprogramming to the male dominated summer blockbusters worked in this case. However, with a production budget around $40M, it will likely make back its money unlike…
King Arthur: Legend of the Sword which tanked this weekend grossing only an estimated $14.7M from 3,702 theaters for a per screen average of $3,971. Its production budget was in the $175M vicinity and while a lot of films these days make up their money overseas, King Arthur is dying there too as it opened to $29M from 51 markets this weekend. Critics liked this one even less as it stands at 28% positive on Rotten Tomatoes, yet audiences liked it a bit more as it got a B+ CinemaScore. Still, this one is in the running for biggest bomb of the year and it’s only the second week of May.
Holdovers, all with relatively small drops, took the next four places on the charts. Landing in fourth place was the multicultural crew of The Fate of the Furious which took in an estimated $5.3M in its fifth go around, bringing its cume up to $215M. In fifth place was The Boss Baby which added an estimated $4.6M to its coffers, bringing its total up to $162M after seven weeks. 2017s reigning champ fell to sixth place this weekend as Beauty and the Beast added another $3.86M, according to estimates, to its gargantuan total, bringing its cume up to $493M after nine weeks. Does it have enough left in the tank to become only the eighth film to hit the magical $500M mark? I’m gonna say yes. And in seventh place was How to be a Latin Lover which took in an estimated $3.75M bringing its total up to $26M after three weeks.
There was s surprise entry in the top 10 as the unheralded Lowriders ended in eighth place this weekend with an estimated $2.4M from only 295 theaters for a per screen average of $8,810, second best in the top 10. A PG-13 drama about lowrider car culture with virtually no stars managed to do some pretty good business. Ninth place belonged to the disappointing thriller The Circle which added an estimated $1.7M to its bank, bringing the total up to only $18.9M… which is virtually the same total as the final film in the top 10, the biggest Bollywood hit of all time, Baahubali 2: The Conclusion which made $1.5M from only 375 theaters this weekend, bringing its total to $18.93M. If I told you a few weeks ago that a Bollywood film that had a 167 minute running time and never play in more than 425 theaters would outgross a film starring Tom Hanks and Emma Watson, would you have believed me? Also, I never would have said it because I never would have imagined it happening.
The top ten films grossed an estimated $118M which was down 3.7% from last year when Captain America: Civil War remained at number one with $72.6M; and down 32.5% from 2015 when the ladies of Pitch Perfect 2 opened in the top spot with $69.2M.
As noted by Variety, director Guy Ritchie’s fantasy drama, starring Charlie Hunnam, is this summer’s first box office flop and has a long way to go before recouping its hefty production budget of $175 million. Read IGN’s King Arthur: Legend of the Sword review, or watch the video below, to find out why the film’s “incessant desire to be clever and funny, go too far and become off-putting.”
King Arthur: Legend of the Sword – Review
02:35
Leading the box office for its second consecutive week is Guardians of the Galaxy Vol. 2, which earned an estimated $63 million. With a $145 million debut last weekend, the domestic total for director James Gunn’s sci-fi sequel is nearing $250 million.
Just ahead of King Arthur: Legend of the Sword in second place is Snatched. Fox’s R-rated comedy, starring Amy Schumer and Goldie Hawn, debuted to an estimated $17.5 million. Meanwhile, Lowriders, the Ricardo de Montreuil-directed drama about a teenage graffiti artist, played by Gabriel Chavarria, had a limited release this weekend, placing eighth with $2.4 million.
Rounding out this weekend’s top five are The Fate of the Furious and The Boss Baby, which earned an estimated $5.3 million and $4.6 million, respectively.
Guardians of the Galaxy Vol. 2 – Chris Pratt on What Comes Next for Star-Lord
01:41
Here are this weekend’s Top 10 North American box office estimates via comScore:
The project from Warner Bros. and Village Roadshow landed with a thud after earning only $14.7 million domestically during its opening weekend off an estimated $175 million production budget, not to mention marketing costs. Not even overseas grosses — which have propped up big-budget films, not in the least limited to “Pacific Rim” and “Warcraft” that would have been considered bombs otherwise — could save “Arthur,” which brought in $29.1 million internationally this weekend. Audiences have received the movie relatively well, earning it a B+ CinemaScore, but the same cannot be said for critics, who sliced and diced the picture down to a 27% on Rotten Tomatoes.
The weekend tallies and critical and audience consensus are the result of a years-in-the-making story, eventually directed by Guy Ritchie and starring Charlie Hunnam. So how did the big-budget film become what could be remembered as the biggest flop of the summer, or even the entire year?
Was the IP too tired? The legend of King Arthur is one that has been told and retold in various forms, not unlike many of the superhero movies that dominate the modern-day box office. But this flop feeds the narrative that Warner Bros. is banking too much on reviving stale ideas after misfires including “Pan,” “The Legend of Tarzan,” and, most recently, “Chips.” Still, Ritchie has made good money off an old idea with his take on Sherlock Holmes in 2009 and its sequel in 2011, which both grossed over $500 million worldwide. Ritchie addressed the idea in an interview with Variety’s Kris Tapley.
“It didn’t occur to me that it was a dusty or unexciting title,” Ritchie said. “To me, I fancy the challenge of — a bit like ‘Sherlock Holmes’ — I thought, ‘Oh, I’m familiar with that. I think I can do something with that.’”
Did the delays kill buzz? When Ritchie signed onto “Arthur” in 2014, he attached himself to a script by Joby Harold that was conceived as the first part in a six-film series set in one contained universe. Three years later, the film was finally released.
“King Arthur” was originally slated for a July 22, 2016 release, which ended up belonging to Paramount’s “Star Trek Beyond.” Warner Bros. released the low-budget supernatural horror film “Lights Out” instead, which was a surprise hit. “Arthur” was pushed to a Feb. 17, 2017 release, only to be pushed again to March 24, and then finally to its ultimate date of May 12. If IP already causes rumblings of being tired, delaying a film’s release several times might only hinder potential excitement.
Did recasting get in the way? Starting in 2011, years prior to Ritchie’s involvement, Warner Bros. was adapting an Arthur-based project with director David Dobkin called “Arthur and Lancelot.” At the time, Kit Harington and Joel Kinnaman were attached to star, and later Colin Farrell was thought to bring the star power necessary to see the project through. Neither iteration was brought to production.
When Ritchie reignited talks of reviving the property, Idris Elba’s name was floated to play a Merlin-esque character. Neither the actor nor his character made the 2017 release.
Does Charlie Hunnam lack star power? Charlie Hunnam is a relatively untested star. Although he toplined “Pacific Rim,” the actor is most well-known for “Sons of Anarchy,” which ran for seven seasons on FX. Whenever a film tanks, the star shares some of the responsibility. But Hunnam’s role in “Arthur’s” lack of draw seems more like a small piece of a large puzzle.
Was it the recutting? Ritchie’s original cut of “King Arthur” was three and a half hours long. The final product clocks in at two hours and six minutes, which some critics, including Variety’s Peter Debruge, have identified as feeling more characteristic of Ritchie than a sprawling Arthurian epic.
“I was desperate that it would be an entertaining three and a half hours,” Ritchie told the Ringer’s Sean Fennessey. “Two hours into it, I knew I was in trouble.”
But Ritchie defended his process of trying to make the “worthy, extended version” before chopping it down to a movie that fits within his own oeuvre. “If I went to the studio and said, ‘This scene is going to cost me $3 million and it’s going to be ten seconds long,’ it’s very hard to get your nut around that,” Ritchie said.
So what? Despite this catastrophic flop, Ritchie has a potential reputation rehab project in place with Disney’s live-action “Aladdin.” The studio has had nary a miss recently with remakes of “Jungle Book” and “Beauty and the Beast” each topping $1 billion worldwide. Warner Bros., too, has several shots at redemption with titles including “Wonder Woman” and “Dunkirk” in the summer pipeline and “It” hitting theaters in early fall. But while the residual effects of “King Arthur’s” financial losses have yet to be seen on a grand scale, the jab of earning title of “summer’s first big flop” can only be felt once a year
Looks like Superman’s mom doesn’t think he’s the most special boy in all the world, or at least shes’s not that impressed with his superpowered friends. When asked whether the Justice League movie will blow Marvel’s The Avengers out of the water, Diana Lane simply said: “No.”
In an appearance on Watch What Happens with Andy Cohen Live, Lane was asked by a viewer whether she could spoil any secrets about the upcoming superhero crossover, as well as whether Justice League will be better than The Avengers, which continues in 2018 with Infinity War.
“No and no,” Lane replied. “Short but honest. I hate to disappoint.”
Lane, who plays Superman’s mom Martha Kent, joins a growing list of Man of Steel actors who’ve poured salt on the wound that is the DCEU— barring Wonder Woman, which we hope is the shining light in a sea of meh. Laurence Fishburne (who played Perry White in Man of Steel) previously admitted that Marvel is kicking DC’s ass, and Amy Adams (Lois Lane) seemingly brushed off the fact that she was in the upcoming film last year.
Justice League comes out November 17. Ma Kent will presumably check it out once it comes to Netflix or something.
