‘Batman v. Superman’ and ‘Suicide Squad’: Ben Affleck, Will Smith, Cara Delevingne Pose for THR’s Epic Group Photo

‘Batman v. Superman’ and ‘Suicide Squad’: Ben Affleck, Will Smith, Cara Delevingne Pose for THR’s Epic Group Photo

Superheroes and supervillains collided — quite amicably, we must say — at The Hollywood Reporter‘s top-secret Comic-Con photo shoot.

After stunning the Hall H crowd on Saturday with new footage, 17 actors, as well as directors Zack Snyder and David Ayer, from Warner Bros.’ Batman v. Superman: Dawn of Justice and Suicide Squad — together comprising the long-awaited first phase of Warners’ DC Cinematic Universe —  zoomed off for what would be their first photo together.

While both casts appeared during Warner Bros.’ panel, they didn’t take the stage at the same time. So THR‘s photo shoot was not only the first time that the two casts got together, but for many it was their first time meeting one another entirely.

Jai Courtney mightily shook hands with Jesse Eisenberg while Henry Cavill chatted with Will Smith, who introduced him to Jay Hernandez. Cara Delevingne and Gal Gadot posed for a selfie together.

Ayer and his Suicide Squad cast — Smith, Margot Robbie, Courtney, Delevingne, Joel Kinnaman, Viola Davis, Adewale Akinnuoye-Agbaje, Hernandez, Adam Beach and Karen Fukuhara — arrived backstage first. They rushed to the craft services table, scarfing down sandwiches and snacks.

The group was on a whirlwind trip, to say the least. Ayer had been working on the film in Toronto until 1 a.m. Friday night, then woke up the next morning to fly with his cast to San Diego. They were in San Diego for a little under three hours before having to rush back out to the airport at 1 p.m. to head back to Toronto. Ayer, who was trying to convince his handlers to stop to get burritos before he headed back to Canada, needed to return to shooting second unit the next day.

Onstage, Ayer touted his villain-focused movie: “Who’s got the best bad guys out there? DC Comics,” he said. “I’m not trying to start no East Coast-West Coast feud with Marvel Comics, but someone has got to say the truth.”

The footage he showed was surprisingly dark in tone, but at the shoot Ayer told THR of the film, “The real shock is how hilarious it’s going to be.”

Smith, who was the only castmember to speak (if only a few sentences) onstage during the Suicide Squad presentation, relished leaving the crowd wanting more.

“This was just a little taste,” he told THR backstage. “We’ll see them again next year.”

If the movies are part of a big DC family, Batman v. Superman is the older, more mature sibling on which the weight of responsibility falls. Suicide Squad is the bratty little kid, chewing bubble gum and tagging walls.

Each cast has bonded in different ways. Loud and boisterous, the Suicide Squad cast was bonded by an attitude fueled by brashness and exuberance.

“We’re very much a squad,” said Robbie, with her co-star Delevingne joking, “We should start a dance squad.” Indeed, the cast was seen taking plenty of selfies together, laughing at inside jokes and throwing up their hands in faux-squad poses during the shoot.

The cast of Batman v. Superman looked on with bemusement, like they weren’t quite sure what to do with the family member that steals cars for a living. They were bonded too, it just showed in a more subdued way — like when Adams jokingly sat on Affleck’s lap when they were taking their seats for the shoot. But don’t let their quiet demeanor fool you: Adams photo-bombed Delevingne and Gadot with aplomb.

And while they may be only newly acquainted, there’s already a friendly rivalry brewing between the two casts, with the Suicide Squad group joking that they’d eat all the sandwiches before the Dawn of Justice cast got there. Affleck, meanwhile, joked that he wouldn’t be waiting on the slacking Suicide Squad to take his group photo.

Click the photo below to see a larger version of THR‘s exclusive image, as captured by photographer Joe Pugliese. And click here for a larger version of the image that includes the key to who’s who.

Game of Thrones: Bran Stark actor confirms he’s in season 6

Game of Thrones: Bran Stark actor confirms he’s in season 6

Your assumption is correct, Game of Thrones fans: Bran Stark will be in season 6.

Actor Isaac Hempstead Wright confirmed to the Irish Examiner that he’s returning to the HBO fantasy hit after being benched during season 5.

“I can’t say a lot, but I am back this season, and it’s going to get particularly interesting with Bran,” Wright said. “He has some interesting visions.”

The actor noted he hasn’t watched the fifth season yet because he was so busy with school, and also said that he doesn’t know if co-star Kit Harington (Jon Snow) will return after his apparent death scene. “I don’t know [if he will come back]. He’s said he’s not,” Wright said.

Previously, Thrones showrunner David Benioff compared Bran’s season-long absence while he develops his warg skills with the Three-Eyed Raven to Luke Skywalker training in the Star Wars saga. “Like, it would be far less interesting, after The Empire Strikes Back to have an hour-long movie in between Empire and Return of the Jedi where Luke is training,” Benioff said. “It’s so much cooler to cut from end of Empire to beginning of Return, where he’s become the Jedi.”

Game of Thrones: Bran Stark actor confirms he’s in season 6

‘Ant-Man’ review: A little hero and a lot to like

‘Ant-Man’ review: A little hero and a lot to like

ct-ant-man-movie-review-20150713-001“Ant-Man” has been skittering around the development corridors of Hollywood so long, the earliest unproduced screenplays about the tiny superhero actually preceded the Disney film “Honey, I Shrunk the Kids.” That was another age (1989), decades before our present Age of Ultron — an epoch of expensive cheap thrills dictated by the steady, crushing rollout of so many Marvel movies that even the good ones start to seem like ants at an endless picnic.

But wait. The “Ant-Man” we have now before us, half-an-inch tall and played by genial, skillful Paul Rudd, turns out to be better company than you’d think possible in a multi-strand franchise lousy with corporate directives.

The plot’s the same old thing. Mad, mad, mad, mad science; imminent apocalypse; parent/child issues; blah blah blaggidy blah. The tone of “Ant-Man,” however, is relatively light and predominantly comic. Those who feel they need a break from the numbing destruction of the “Avengers”/”Captain America” movies will likely enjoy it.
lRelated ‘Minions’ review: Too much mellow yellow wears thin

“Ant-Man” is a frisky hybrid — part “Land of the Giants,” part heist film a la “11 Harrowhouse,” but with Rudd leading an army of ants against the villain, Yellowjacket, played by the excellent character actor Corey Stoll. The set-up finds burglar Scott Lang (Rudd) getting released from three years in San Quentin. His ex-wife, Maggie (Judy Greer, never in a role big enough for her talent), has custody of their daughter (Abby Ryder Fortson). The stepfather figure in the girl’s life (Bobby Cannavale) is a sympathetic cop who doesn’t like Lang’s rap sheet and wonders if he’ll continue his life of crime.

Lang and his old pals (Michael Pena chief among them) learn of a safe inside a mansion belonging to some old rich crank, just begging to be robbed. The crank is one Hank Pym (Michael Douglas, solid if a little dull), whose big secret involves something called the Pym Particle. This enables humans to shrink down to ant size and then back up to human size, in a flash. Pym targets Lang for the next phase of the experiment, conducted with the surly but charismatic help of Pym’s daughter Hope (Evangeline Lilly).

The shrink gimmick of “Ant-Man” is simple and fetching. It may appeal to the younger segment of the Marvel audience more so than the jaded older teenagers and adults accustomed to wearying mass slaughter and entire cities being lifted up in the sky. The climactic smackdown between Rudd and Stoll takes place largely on a toy train set, and when director Peyton Reed cuts away from the close-up action to longer shots, the effect is very funny, as if a pair of invisible preteens were knocking around a Thomas the Tank Engine, happily.
‘Minions’ – 2.5 stars
‘The Gallows’ – 2.5 stars

We’ll never know how much of what works in “Ant-Man” relates to the input of Edgar Wright (“Hot Fuzz,” “The World’s End,” “Scott Pilgrim vs. the World”), the first director assigned to the movie. Reed (“Down with Love”) replaced Wright, though Wright retains producer and co-screenwriting credit, along with Joe Cornish. The second credited writing team, Adam McKay and Paul Rudd, presumably took things in a direction more pleasing to the Marvel folks while adding a few more jokes. Plus heart! Can’t forget the heart. Also there’s a cameo from a back-bench “Avengers” superhero setting up Ant-Man’s future screen appearances.

Time will tell whether a movie such as “Ant-Man,” in which conventional firearms are so rewardingly irrelevant, can find a big audience. But it’s more fun than “Avengers 2.”

‘Ant-Man’ review: A little hero and a lot to like

Universal Hits $3B At International Box Office In Industry-Record Time – And A First For The Studio

Universal Hits $3B At International Box Office In Industry-Record Time – And A First For The Studio

 

jurassic world

The studio hit $1B, then $2B and now $3B in record time. Universal just keeps taking bites out of box office records domestically, internationally and worldwide. Driven by a plethora of hits — from Fifty Shades Of Grey and Furious 7 to Jurassic World and Minions — Universal Pictures fast-and-furious-7International has just jumped past the $3B milestone, becoming the fastest of any studio to do that. Furious 7 and Jurassic World handed UPI two-thirds of that gross. It also marks the first time in its 103-year history that Universal has reached that height at the international box office.

The hits are expected to keep coming for the studio with Judd Apatow’s next comedy Trainwreck, starring Amy Schumer and Bill Hader, which bows in two weeks, and F. Gary Gray’s Straight Outta Compton, which arrives August 14. And then … expect a bit of a breather from the studio.

Now, let’s look at the lineup UPI has had: Fifty Shades Of Grey ($403.6 million internationally), Fast & Furious 7 ($1.16 billion), Pitch Perfect 2 ($96.6 million), Jurassic World ($843.9 million and counting) and early results in 26 international territories from Minions ($141.7 million).

universal-pictures-logo-2013__140130232555__140321183123-275x141__140404181950Now for the records — though they are seriously too numerous to count: Because of Jurassic World, Universal was able to have bragging rights to the quickest climb to $1B domestic — beating the previous record ascendance achieved by Paramount on June 22, 2008. It also hit the $3B worldwide combo of domestic/international earlier this year, passing Fox’s previous race to the milestone on June 30, 2010.

Other records? Universal currently has three of the four highest-grossing films of the year, and its films opened No. 1 worldwide three times in 2015 and have been No. 1 at the international box office for nine weekFifty Shades Of Grey Trailers — more than any other studio.

Now let’s look at the individual pictures in order of appearance: Fifty Shades of Grey is studio’s highest-grossing R-rated film of all time. The film has grossed $403.6M at the international box office.

'Furious 7' Pulls Ahead At Friday B.O.Fast & Furious 7 (as it was titled in international markets) grossed $1.16B at the international box office. Among countless milestones, Fast & Furious 7 is the highest-grossing film ever in China ($390.8M) and the third-highest-grossing film at the international box office ever, joining Avatar and Titanic as only the films in history to reach $1B in international box office. Um, that is, until the dinosaurs came stomping through.

jurassic world 2Jurassic World became the fastest film to reach $1B worldwide, doing so after only 13 days in release. It went down in history as having had the biggest opening weekend of all-time internationally, domestically and worldwide. It ranks as the fifth-highest-grossing film of all-time worldwide behind Avatar, Titanic, Marvel’s The Avengers and Universal’s own Furious 7, and is known as the ninth-highest-grossing film internationally.

And it’s still playing, grabbing a total of $43.3M last weekend alone, with its final territory, Japan, opening August 5.

Pitch-Perfect-2-640x427Also gotta give props to breakout hit Pitch Perfect 2, the musical comedy that came out of nowhere and started shoving Mad Max: Fury Road around in heated competition, especially Down Under. The female-directed film (Elizabeth Banks) is still playing in 49 territories and is on the verge of crossing $100M, stepping to the tune of around $280M worldwide to date. It has yet to open in 13 more territories before its performance is through.

“We are proud of our slate and the accompanying success, which is due to the hard work of our filmmakers and our tireless Universal Pictures team,” UPI President of Distribution Duncan Clark said in a statement today. “From our production group, who have been so brilliant at nurturing our homegrown franchises, to the best marketing and distribution teams in the business — both in London and Los Angeles — and our dedicated teams around the world, this year has been a joy for every member of our organization.”

Universal Hits $3B At International Box Office In Industry-Record Time – And A First For The Studio

Disney Reaches Another Milestone In Record Time: $2B International Box Office

Disney Reaches Another Milestone In Record Time: $2B International Box Office

 

inside out 2

After crossing $3B worldwide last week, Disney has now set another benchmark with $2B at the international box office so far in 2015. This is the sixth year in a row for the studio and is the fastest it’s ever made the climb. Last year, the mouse roared to $2B on August 3. The current estimated international total is $2.012B with $3.19B global.

This is the latest in a string of milestones for the Hollywood majors as summer box office blooms. Disney also has over $1B at the domestic box office, which it achieved in record time on June 25.

Ultron and CinderellaFilms propelling the studio to new heights include Avengers: Age Of Ultron, whose international box office now sits at $933.3M after this frame; Cinderella at $340M; and Inside Out, which jumped to $151.8M this weekend. It added $19.1M in the session, aided by a strong debut in Korea at $5.1M — the biggest Pixar opening of all time in the market.

Ant-Man 1

Next week sees Paul Rudd shrink to fit the Ant-Man costume in Marvel’s latest superhero tale. The movie screened for exhibitors at CineEurope in Barcelona last month to strongly positive reaction and has been garnering critical praise as its July 14 release approaches internationally. Domestic bows July 17.

 

Disney Reaches Another Milestone In Record Time: $2B International Box Office