Wonder Woman Origin Trailer: Breakdown & Analysis

Wonder Woman Origin Trailer: Breakdown & Analysis

WARNING: This article contains potential SPOILERS for Wonder Woman

Batman and Superman may tease their audience with secrecy, but Wonder Woman more than delivers when a brand new trailer is expected to drop. Not long after Warner Bros. and director Patty Jenkins took press behind the scenes to see for themselves how Wonder Woman compares to the DCEU so far, those excited for the movie now have a new preview to enjoy. And enjoy it they will, since it dives into the DC history of Themyscira, Diana’s Amazon training, the villainous Ares she’ll be fighting, her mythical weaponry, her superpowers, and yes, more enemy soldiers being punched than you could ever demand.

Of course, the new Wonder Woman ‘Origin’ trailer only reveals significant insights into those facets of the film if you’re looking closely. Thankfully, we make a habit of doing just that. The new trailer reveals far more about the story, the action, the larger mythology, and how Patty Jenkins is making her mark than you might think. It demands a bit of analysis and reading between the lines, but we’re breaking it all down so fans won’t miss out on a single detail.

Needless to say, there will be SPOILERS in our look at the Wonder Woman Origin Trailer: Breakdown & Analysis.

20. Behold The Gods’ Gift

Wonder Woman Trailer Hippolyta Diana Wonder Woman Origin Trailer: Breakdown & Analysis

The trailer opens with more insanely picturesque shots of Themyscira, Diana’s hidden home, but focuses in on an image torn right out of a Disney tale of mothers and daughters: Queen Hippolyta (Connie Nielsen) standing, arms outstretched, presenting the world itself to her young daughter as a “gift from the gods.” The landscape lives up to that claim, but it’s a literal statement in this case, since the mythology of the DCEU’s Themyscira states that the island truly was a gift from Zeus himself – but more on that later.

The architecture no longer surprises, since its mix of Greek and Roman stonework embedded and scattered across the rocky terrain has been glimpsed before. The context or significance behind these select busts can’t yet be known, but we would point out the wildlife as evidence of how deep the idea of a world ‘without men’ goes. Those birds look to be leucistic or albino peacocks: male members of the peahen species with longer tails, typically using their extravagant coloring to attract a mate.

It appears that on Themyscira men are still relevant to reproduction, in the animal world at least. But the idea that males ‘court’ women may be completely done away with, judging by these regal, but guileless fowl.

19. The Art Tells a Story

Wonder Woman Trailer Ares Zeus Wonder Woman Origin Trailer: Breakdown & Analysis

Getting back to that idea of Themyscira being just one of several literal gifts from the gods, the trailer immediately shifts to Hippolyta and Diana making their way along a decorated stone wall, with the Queen explaining that the other gifts will one day be known to Diana… and this is where they keep them. If the structure beside them is the holding place for those gifts – which seems to be the case – then it’s likely the building is the massive Armory, visible as the thick, stout tower dominating the Themysciran landscape. But what’s outside may be just as relevant to fans.

During our visit to the Wonder Woman editing bay, we were told of the Themysciran origins, as they are explained to Diana in the film. In an animated sequence Queen Hippolyta informs her daughter of the betrayal of Ares, who turned man into angry, war-hungry armies eager to tear Zeus and his creation apart. Zeus created the Amazons to protect the world from Ares’s treachery, kicking off a war among the gods. Ares won, but before Zeus died he created Themyscira for his Amazons, and left them the weapons we’ll soon see introduced.

Take a closer look at those reliefs the pair is riding past, and they look to be (from left to right): a man pressing a raised forearm to someone possessing a not-quite-human profile (helmeted, perhaps?), the face of Zeus surrounded by what could be lightning bolts, and what looks like a crowd of women raising their interlocked arms towards… something. Are we seeing that origin story told in three pictures? We’ll have to wait until the film for a final word, but we’re open to other theories.

18. Young Diana Learns Her History

Wonder Woman Trailer Young Diana Wonder Woman Origin Trailer: Breakdown & Analysis

As we learned during said visit to the editing bay, the film fills in the audience on the pertinent plot information alongside Diana, being welcomed into the larger Amazon culture at the age of eight. Here we see the form that takes, with the origin of their people explained, and the most powerful tool bequeathed to them by Zeus… a tool so powerful, Diana will never be the one to wield it. After all, she is not destined for ferocity, but finery, as the daughter and future Queen of the Amazons. It’s unclear just how long ago this scene takes place (Amazons being immortal and all), but the image of a young Diana is significant to the overall DCEU.

The Justice League debuted in Batman V Superman with the spotlight placed on Superman, Batman, and Wonder Woman. And with this trailer, it seems that all of DC’s ‘Big Three’ will be introduced as children, in the context of scenes encapsulating their adult journeys and conflicts. In Man of Steel, it was Clark’s struggle to control his alien powers, but his human mother somehow able to help him anyway (a microcosm of the character’s dual identity as empowering, not limiting). In BvS, Bruce saw his father fight back against crime, and get everyone he loved killed (his total blindness to the fact that he walked the same line defining his obliviousness).

Now with Wonder Woman, Diana will be presented with the very heights of Amazonian tradition and exceptionalism, and told it is not the destiny chosen for her. It lights a fire of defiance and self-realization, but based in service to her people and excellence, not a rebellious impulse.

17. The Godkiller

Wonder Woman Movie Sword Godkiller Wonder Woman Origin Trailer: Breakdown & Analysis

Finally, the trailer offers the best look yet at the Godkiller, the sword left behind as a gift from Zeus. Since the father of the Greek gods could not know that his chosen Amazons would be safe from Ares forever, he left them a weapon capable of killing him. Unfortunately, it sounds as though the weapon itself is beyond the character of any but the fiercest Amazon (we’re putting out money on Antiope). Not to mention that it should only be used to kill Ares, so if you have to use it, things have already gotten worse than most Amazons would want to consider.

Unfortunately, it’s hard to offer any lengthy insight into the Godkiller, since it seems a wholly original creation for the film and plot. In DC Comics, Wonder Woman’s sword isn’t usually given a unique or mythical history, and while a sword called Godkiller does exist in the DCU, it’s certainly not this one. But Hippolyta’s explicit claim that “only the fiercest among us even could” wield the sword begs a bit more investigation. How does she mean it? Is it a weapon similar to Thor’s Mjolnir, able to be wielded only by the one deemed worthy? Or does its god-killing ability demand power from the wielder directly?

Keep in mind the idea that Zeus may have left his chosen people – led by his chosen woman – a sword that most could never wield, but is the weapon needed to defend them, inevitably, from his cruel son. It may all make sense in the end.

16. Diana Has An Audience

Wonder Woman Trailer Fight Flips Wonder Woman Origin Trailer: Breakdown & Analysis

The fight scenes that follow fly past in an instant, especially considering they’re all headed to the most memorable use of Diana’s powers we’ve yet seen teased for the film. But going piece by piece, there are elements of the plot, and character work on Diana and her fellow Amazons to be absorbed. For starters, the image of a teenage Diana being trained by General Antiope (Robin Wright) might seem to stand at odds with Queen Hippolyta’s idea for Diana’s future. And it should, since Diana seeks out her weapons training specifically against her mother’s wishes. Antiope agrees to train her until she is discovered at age 15, when she first exhibits her soon-to-be-seen powers… at which point Hippolyta requests formal training.

It’s that formal training that follows, with Diana well into adulthood and taking on all challengers. Amazons practicing combat may seem commonplace, but the gallery of woman standing and spectating as Diana goes through her routine speaks volumes. In the comics, just like the film, Diana is exceptional – and her sisters know it. They’re good, but she’s better. They’re loving, but she embodies compassion. They’re beautiful, but she’s… well, popular. And when she unsheaths her sword, looses her arrows, and evades attacks from all sides, the people gather to witness it. Thankfully, she has Antiope to keep her grounded.

15. Diana’s Magic Vambraces… Not So Magic?

Wonder Woman Trailer Vambrace Attack Wonder Woman Origin Trailer: Breakdown & Analysis

If you asked the average DC Comics fan about the significance or power of Wonder Woman’s bulletproof bracers (or vambraces), they’ll probably give a simple answer: they’re strong enough to deflect bullets. Amazons are tough and strong, but bullets can be tricky. But Zack Snyder seems to have introduced a new bit of mythology surrounding those vambraces that Patty Jenkins is either continuing, or evolving into her own story. In Batman V Superman, they could be crossed to protect her and Batman from Kryptonian heat vision. And when smashed together, created a powerful energy blast of her own.

At the time, it was taken as a classic case of enchanted armor, courtesy of the gods. Stronger than anything, and able to channel that energy into offense. But take a close look at Diana’s vambraces right before the moment that Antiope brings down her sword. They’re actually glowing in anticipation of the coming attack… which calls into question both of those previous assumptions. For one, their mystical powers aren’t tied to actually even being struck by an attack. And they’re not transferring that energy out at all… but they’re doing something new, at least as far as comic fans are concerned. And we’ve got a theory.

14. Diana Discovers Her Power

Wonder Woman Movie Glowing Vambraces Wonder Woman Origin Trailer: Breakdown & Analysis

As we mentioned before, Diana’s secret combat training only came to an end when something, someone, or some event triggered her ability to generate energy blasts. At that point, Hippolyta realized she was gifted in a way her sisters were not… and she entered into combat training, with those signature vambraces strapped to her forearms. Now when pushed to the breaking point by Antiope in a moment of instructive rage, Diana is bested, driven back, and forced to emit a strong enough blast of energy to take her opponent – and everyone around them – off of their feet. And nobody seems more surprised than her.

The simplest conclusion is that Diana’s vambraces aren’t doing anything but possibly helping her control the energy coming from her directly. Since this example is actually a combination of defense and offense, Batman V Superman fans can debate just how she manipulated her gift to both separately opposite Doomsday. There is some comic book source material exploring the idea that Diana’s bracers are actually designed to control her demigod powers, which may be more relevant here than some expected. Especially if Hippolyta only enrolled her in training once she learned what Diana may have inherited from, say, her father?

13. A Queendom of Isolation

Wonder Woman Trailer Themyscira Ocean Wonder Woman Origin Trailer: Breakdown & Analysis

Aside from a stunning ocean horizon, this shot drives home the idea of just how isolated Themyscira is intended to look, seem, and feel to both inhabitants and the audience. It could be more difficult to convince young audience members that Diana and the Amazons could truly exist completely unseen, or completely oblivious to the outside world. But when you’re surrounded by waters like these in every direction – and whether you’re aware there’s an enchantment at work or not – it’s a bit more believable.

That enchantment is a literal one, and has been used to keep outsiders from laying their eyes on Themyscira in just about every version of the island. When Steve Trevor (Chris Pine) and Diana eventually leave to return him to Europe, they do so in a boat that actually crosses through the barrier concealing the island. It’s an effect we’ll try to keep unspoiled for fans, but if nothing else, seeing this landscape every day makes the sudden arrival of a World War I pilot feel as shocking as it should.

12. Updates To Themyscira’s Throne Room

Wonder Woman Movie Themyscira Throne Room Wonder Woman Origin Trailer: Breakdown & Analysis

With the finished effects on this location, it’s abundantly clear that this is the throne room of Themyscira. Previous shots used in trailers had been unfinished, leaving the foreground empty and the background filler landscape. Now, with the rocky outcroppings of the island’s heart visible on the right side, and the rows upon rows of chairs filling the foreground, the room’s function as a gathering place for the Amazons. Hopefully these chairs will be filled in the film to get a sense of the actual scale of the Amazon society, but we’ll just keep our fingers crossed.

As an extra hat tip to the production team under Patty Jenkins, applause is due to their ability to craft a royal throne that is as un-phallic as possible. Instead, Hippolyta sits in her seat of power flanked by two perfect circles (the anti-phallus). We would assume one is reserved for Diana, since she stands at her mother’s side in most of the Queen’s appearances, but the other is unknown (Antiope, perhaps?). The Queen’s throne? Another circle, but spiraling inward to emphasize her unending rule. Needless to say, Steve Trevor’s stunned reactions are justified.

11. Role Reversal

Wonder Woman Trailer Diana Steve Trevor Wonder Woman Origin Trailer: Breakdown & Analysis

As thrilling as it is to see that Chris Pine remains in anachronistically-fit shape as Steve Trevor, the lack of dialogue in this scene is both disappointing and exciting. After all, given Diana’s dress, it would seem that she is only now getting the chance to address the strange man who washed up on the shores of her home. She has yet to even have her wounds dressed, so the healing factor and medicine of Themyscira remains hard to pin down (unless – gasp – she’s already been healed?). But for every fan of Diana Prince, this first exchange is the one to watch out for.

It seems to fall to Diana to give Steve what little information he is allowed to absorb about this strange place, and her own role of authority within it. It’s the kind of subversion of power dynamics that Pine proved particularly good at in the Star Trek series, so we doubt he’ll let fans of Steve Trevor down. The version of Steve and Diana’s first meeting was given a further inversion of the traditional story – Steve an emotional wreck, Diana the rock of support – but it looks like some humor may be more likely in the film version.

10. Setting The Board For The Battle

Wonder Woman Movie Trailer Horses Wonder Woman Origin Trailer: Breakdown & Analysis

There’s nothing exceptionally groundbreaking here, just one more shot of the epic cavalry charge of the Amazons, led by Antiope, preparing to stun some German soldiers out of their boots. Previous trailers showed the ensuing scene, and the moments of German assault that precede it (in which Diana and Steve are defended by descending Amazons, and Diana gets her first look at the tiny, fast-moving projectiles we regular folk call “bullets.” Diana and Steve are presumed to be taking cover on the right side of this image, as the army arrives to distract and destroy.

It’s a moment for military buffs and historical warfare enthusiasts to discuss, as Antiope has clearly divided her forces to make the most concise victory attainable. Select soldiers rappel down the cliffs to personally act as a shield for their princess, while the brunt of the cavalry makes their assault in a straight line along the beach. For the newcomers, this would be called a ‘flying wedge’ formation: an attack intended to maximize the power of the impact as opposed to approaching in a straight line. Fortunately, the Germans might not have to take the hit at full force.

9. General Antiope’s Triple (Yes, Triple) Arrow

Wonder Woman Movie Robin Wright Antiope Wonder Woman Origin Trailer: Breakdown & Analysis

Now seems as fitting a time as any to call out Robin Wright’s appearance in the trailer, charged with playing the fiercest of the Amazon’s military structure, General Antiope (we’re still not sure how that one’s going to be pronounced on film). In a typical comic book story, there may be reason to suspect that the most trusted, and deadliest lieutenant is actually the most likely to turn against the ruler, but we doubt that twist will play out here. After all, Queen Hippolyta is a traditionally smart, shrewd, and powerful ruler. And Antiope is her closest sister.

The movie has yet to be released, and audiences have already gotten to see multiple reasons why Wright’s Antiope could be the fan-favorite Amazon of the lot. First came her leaping arrow fire, then stabbing an opponent soldier with a bundle of arrows. In this trailer she proves just as deadly with a sword, and in this slow motion shot, it’s revealed she’s actually firing three arrows back at her target. Let’s just say that if the unthinkable happens an Antiope does decide to follow her own mission… we feel sorry for the Amazons who oppose her.

8. Ludendorff’s Private War

Wonder Woman Movie German Chemicals Wonder Woman Origin Trailer: Breakdown & Analysis

We’ve extensively covered the villain of Wonder Woman played by actor Danny Huston, which wasn’t easy considering how closely the secret of his identity was held by the filmmakers. We now know that this direct antagonist of Wonder Woman will be Erich Ludendorff, a very real, historical member of the German high command, controlling all German war operations alongside Hindenburg. We speculated that Ludendorff being a real person, whose military career extended (less than glamorously) after the war meant he likely isn’t Ares in this story… but that doesn’t mean he’s not evil.

We’re referring to this fictional Ludendorff, not the real one. His connection with ‘Doctor Poison,’ the masked woman concocting his chemical weapons seems a simple one, but this shot demonstrates just how determined he is to keep the war going forward. At this point in the story, the Germans and Allies are actually trying to reach an armistice. But judging by the level of activity Ludendorff has arrived to confirm, he’s a long way away from giving up the fight. This could be the location Steve Trevor infiltrates personally, before being shot down over Themyscira.

7. Diana Answering The Call

Wonder Woman Trailer Diana Sword Wonder Woman Origin Trailer: Breakdown & Analysis

The dialogue leading up to Diana’s decision to leave home seems to be comprised of a few different scenes or contexts, which may be for the best. The final exchange between Queen Hippolyta and her daughter should be a heartbreaking and meaningful one, so the less revealed in trailers the better. Since Diana makes it clear to her mother that she’s not going to pass up the chance to return Steve to the war, track down Ares driving the events in secret, and kill him, we can only assume she has a blessing to retrieve the Godkiller (and the armor and golden lassoo).

In literary terms, Diana seems to be sticking quite close to the Hero’s Journey. Steve Trevor’s surprise entry into Themyscira telling tales of a global war beyond their doorstep shatters her notion of the mundane world she inhabits. By teasing a villain who may be the one her people were always destined to vanquish, Diana hears her call to adventure, and being the Queen’s daughter, can’t resist the call. Hippolyta is apparently an English literature major, since she seems to realize that refusing the call is simply not an option (not when Diana has a Justice League to help build).

6. Reading The Godkiller

Wonder Woman Movie Sword Godkiller Symbols Wonder Woman Origin Trailer: Breakdown & Analysis

As Diana takes the Godkiller, the audience is given its best look at the hilt and blade of the divine weapon. There’s plenty to talk about, too – unfortunately, the inscription on the blade is a mystery, since those symbols haven’t been matched to any language or alphabet we can recognize. The sword wielded by Diana in Batman V Superman – referred to as the Sword of Athena – had an inscription pulled from a Joseph Campbell quote, but it neither looks nor reads like this solo film weapon.

What may be the most curious detail is the hilt constructed out of two dragons sharing a neck and sinking their teeth into the blade. As even casual fans may know, dragons don’t play a massive role in Greek mythology, with those present presumed to have been adopted as part of a Near East cultural tradition. Still, if these dragons are of any particular significance, be it historic or fictional, there are a few choices. They could represent Cadmus and his wife, the hero who slew Ares’s son, the great Ismenian dragon or serpent. Or they could be the heads of the Lernaean Hydra, hinting that a beast or creature’s poison could be what defines this blade as a “god killer.” Your guess is as good as ours!

5. Diana Arrives in London

Wonder Woman Movie Diana London Boat Wonder Woman Origin Trailer: Breakdown & Analysis

As we mentioned before, we know that Steve and Diana leave the island of Themyscira in a boat, and the style and decoration of this vessel matches what most would expect. The earlier shot of London’s smoke-filled skies actually reveals this boat being pulled up the Thames by a smoke-spewing tugboat, which may explain why Diana seems more than a little uneasy. That, and she finds this city absolutely hideous (at that time in history, she wasn’t wrong, either).

For those curious to see how the comic book mythology of Themyscira is being adopted or changed for film, we can confirm that when the boat leaves Diana’s home, she and Steve witness their piercing of the veil surrounding the island. The mystical barrier that keeps the island hidden is pushed through, surrounding them, than snapping back into place. That adds some context before Diana heads to a city that’s never even thought to look for her… but also hints that getting home may not be a possibility.

4. Diana Doesn’t Need a Sword

Wonder Woman Trailer Gal Gadot Muscles Wonder Woman Origin Trailer: Breakdown & Analysis

There’s no way to get past it: the hours, days, weeks, and months following Gal Gadot’s casting as Wonder Woman were filled with criticism and doubt that those responsible may wish left in the past. Much of the controversy surrounded Gadot’s body – with accusations she was “too skinny” taken with a laugh by Gadot herself – and as keen as we are on not restarting that conversation, it’s clear that Gadot has risen to the same bar of dedication and physical performance of her co-stars, heaving a tank in a display of her Teres Majors alone that would leave grown men green with envy.

Jokes aside, this scene reveals that Diana’s physical strength isn’t just tied to her invulnerability or weapon skills. If her sword and shield are lost, or a massive metal vehicle is simply the best tool for the job, then she’s not above grabbing hold and sending it flying through the air towards an enemy encampment. Or, in this case, into the side of a building in a German-controlled French village. We just hope that she’s able to test her limits on more than inanimate objects before the end of the film.

3. Ludendorff Learns Who He’s Fighting

Wonder Woman Trailer German Ludendorff Wonder Woman Origin Trailer: Breakdown & Analysis

If we’re sticking to our theory that it’s actually a peace-seeking military man who is playing Ares in disguise, and not the obvious choice of Ludendorff, then the footage of him being kicked by Diana, or flung through the air with her lasso need some explanation. At least, we think they do, since Wonder woman doesn’t seem like the kind of person to brutalize an aging officer. We caught a glimpse of Ludendorff inhaling a strange, life-restoring chemical during our 16-minute preview of Wonder Woman, which could explain the enhanced, window-shattering strength and durability (while still fitting our theory, if those chemicals originated with Ares to help keep Diana distracted).

It’s assumed that Diana is delivering her explanation of her name, her origins, and her lineage to Ludendorff, still under the assumption that he is Ares. We can’t say for certain, but thankfully, we now know how the DCEU will be pronouncing “Hippolyta.” So say it with us, DCEU fans: “Hih-PAUL-ittuh.”

2. Patty Jenkins is Pushing The Envelope

Wonder Woman Trailer Diana Jump Wonder Woman Origin Trailer: Breakdown & Analysis

It’s tempting to look past the moments of stylized action or shot compositions to glean plot-specific details, or clues as to what’s coming next in DC’s movie universe. But doing that risks missing the incredibly promising, energetic, and Snyder-esque beats being constructed by Patty Jenkins. His name may be a trigger for trolls or passionate fans, but WB had a good reason to entrust the Justice League, Superman, and Batman to Zack Snyder: in short, for reinventing the way that action look in modern blockbusters. That’s a hard act to follow – and one that the Suicide Squad never attempted, nor succeeded in topping.

Jenkins, on the other hand, has offered up close to a dozen memorable, gif-worthy shots from these trailers alone. With Diana sliding across rooms on her shield, smashing through panes of glass, leaping over fences from horseback, and now, following a German soldier out a window in a slow-mo, side-on panning shot… who knows how much we have to look forward to? Either way, repeat viewings could be a must if the 300 energy is this strong throughout all of Jenkins and Gadot’s action scenes.

1. The Truth of Diana’s Superpower?

Wonder Woman Trailer Diana Superpower Wonder Woman Origin Trailer: Breakdown & Analysis

Finally, we arrive at what could be the most telling image of the trailer, in terms of its impact on theories concerning Diana’s powers, the origin of the Amazons, and her true parentage. In the previous trailer, the moment in which Diana’s crossed vambraces seem to be absorbing electrical energy was used to punctuate its action crescendo. This time around, the entire shot is shown, beginning with Diana hovering in the air, arms spread, and slowly drawing her forearms together in front of her. But before she does, her armor takes on a life of its own.

Her vambraces glowing as energy is discharged is one thing. But her entire armor glowing as she seems to prepare for a larger, more powerful attack – potentially fuelled by ‘lightning’ – speaks to something more than just enchanted weaponry, or a means to control energy. If the theory that this version of Wonder Woman is actually the daughter of Hippolyta and Zeus proves true, then this all makes sense. Hippolyta set Diana on a path to becoming the Amazons’ champion once she learned she had inherited godlike powers from Zeus, kept it a secret, and kept Diana from pursuing the role so she could do it herself.

If true, then coming face to face with Ares or his underling could raise questions of just what Wonder Woman is. And if revealed to her, then Diana could accept that fact, becoming more powerful and willing to channel all her power through her body (and armor) into a new direction. Before, you know… failing to actually stop World War I or the century of warfare that followed. But even the daughter of Zeus can’t win ’em all.

That’s every meaningful plot beat, possible reveal or missing link we managed to spot in the ‘Origin’ trailer for Wonder Woman, but there are plenty more twists or potential reveals to discuss among the fans. We invite every reader to share your favorite moments, your best theories, or the lingering questions in the comments.

Wonder Woman Origin Trailer: Breakdown & Analysis

Wonder Woman Director Confirms Boxer Ann Wolfe is Artemis

Wonder Woman Director Confirms Boxer Ann Wolfe is Artemis

Director Patty Jenkins’ Wonder Woman solo movie is a standalone adventure for Gal Gadot’s Diana Prince – one that goes back in time in the DC Extended Universe, to explore Diana’s experiences during World War 1. The trailer footage for Wonder Woman released so far has combined more fantastical elements with historical set pieces ands settings, suggesting that as far as the aesthetic of Jenkins’ movie goes, Wonder Woman is a far cry from Batman V Superman; the film in which Gadot made her screen debut as the iconic Amazonian warrior.

The final Wonder Woman trailer landed recently, highlighting more of Diana’s mystical background on her home island of Themyscira. This sets the stage for the appearance of more mythical figures in Jenkins’ film, chief among being the villainous Ares, God of War. Of course, Ares is not the only member of the Greek pantheon to be joining the DCEU during Wonder Woman 

Jenkins took to Twitter to confirm the identity of one particular Wonder Woman supporting cast member: American boxer Ann Wolfe. It turns out Wolfe is costarring in the film as Artemis, crossbow-wielding ally of Diana, as the following Tweet from Jenkins confirms:

Wonder Woman Movie Glowing Vambraces Wonder Woman Director Confirms Boxer Ann Wolfe is Artemis

Wolfe’s Wonder Woman role was first teased back in April of 2016, via a photo that showed her with Gadot and Connie Nelson, the latter of whom plays Diana’s mother in the movie. The retired boxer’s role has been unconfirmed until now, but casting the multi-title winning athlete in this fearsome role could be a masterstroke. Wolfe transitioning from fighter to actor moves her into an increasingly-expanding bracket of fighters-turned actors; one that also includes Ronda Rousey and Gina Carano, as recent additions.

It remains to be seen how much screen time Wolfe gets in Wonder Woman, as a good portion of the film takes place off the shores of Themyscira. There’s at least one battle set on the beaches of Themyscira however, which is where Artemis may come into her stride alongside her fellow Amazonians. With Robin Wright as General Antiope shown firing three arrows from a bow simultaneously in the Wonder Woman trailers, Jenkins now has us wondering what Wolfe’s version of Artemis is capable of.

Either way, Wolfe not only fits the bill for the Artemis character, but also the direction for the Wonder Woman movie itself. The film showcases a host of female talent in strong physical roles, once again raising the question as to whether or not women are the future of the DCEU.

Wonder Woman Director Confirms Boxer Ann Wolfe is Artemis

Minecraft Xbox One Edition Gets Awaited Problem Solving Update

Minecraft Xbox One Edition Gets Awaited Problem Solving Update

Minecraft enthusiasts that play the game on Microsoft’s Xbox One console have received a small update recently. Many of them probably unknowingly, have been subjected to a small update which pushed some important fixes into the game. The Minecraft developer also came out with a changelog list which was barely worth calling a list. That being said, the fixes are still very much appreciated and will increase the gameplay value of the game by taking care of some rather annoying problems.

Let’s take a look at what players can expect to see or feel differently in the game, if they haven’t gotten a chance to check out the change log:

  • Prior to the fix, the UI tended to mess up the icons for items which weren’t blocks by displaying the wrong LOD. That has now been fixed and will occur no longer in-game.
  • Players also reported that nether portals would sometimes take them to places they had no interest in arriving in, but that has been taken care of in update 40.
  • When jumping in a tight place, players would often times find themselves falling through the block that they were on. This was especially frustrating but the developers fixed this issue in the latest update.

Just to clear up any confusion, these changes have been made for the Xbox One version of the game. Anyone playing the game on another platform should not have to worry about this update, as it was solely meant for Microsoft’s console.

While the patch is rather small, it does a great job in impacting the game and taking care of some really annoying issues. This once again proves that the smallest issues are the ones causing the most problems. No further information has been disclosed to any potential future updates for the game.

Minecraft Xbox One Edition Gets Awaited Problem Solving Update

Meet the Kids’ Choice Awards Most Talented Attendee

Meet the Kids’ Choice Awards Most Talented Attendee

If there was a Kids’ Choice Award for Best Reason for Attending the Kids’ Choice Awards, 8-year-old Juanita would have it in the bag.

The cancer survivor made headlines Saturday evening at the annual slime-infused Nickelodeon event in Los Angeles, hitting the red carpet to photograph some of the night’s biggest stars (including Gwen Stefani, above, and Nickelodeon favorites Kira Kosarin and Mace Coronel, below).

Juanita was sent to the event on behalf of the Pablove Foundation, whose mission is to help fund pediatric cancer research, educate affected families and provide opportunities in the arts for children living with the disease.

Juanita is part of the Pablove Shutterbugs program which, according to the organization’s website, “teach[es] children living with cancer to develop their creative voice through the art of photography.”

This isn’t the first time Juanita taken the red carpet at a glitzy, celeb-filled event by storm: In January, she attended the 2017 Golden Globes, snapping photos of Hollywood’s biggest stars.

According to E! News, Juanita is in remission after battling cancer for almost three years. She’s now back in school attending third-grade classes. She loves taking photos of her dog Charlie, recently learned to ride a bike and spent time last summer taking photography workshops at the Pablove Shutterbugs Alumni Summer Camp.

Meet the Kids’ Choice Awards Most Talented Attendee

Summer Online Minecraft Camps Begin June 26

Summer Online Minecraft Camps Begin June 26

Igniting a passion for technology is the goal of Connected Camps’ online summer camps in coding, game design, architecture, engineering, and survival mode in Minecraft.

The weeklong virtual camps, priced from $69 to $99, commence June 26. There are 30 online camps to choose from, including girls-only options.

“We offer the fun hands-on projects, and cool counselors that you get at a tech camp, but in an online format that is much more affordable and accessible,” said Mimi Ito, Connected Camps co-founder. “We give kids a STEM learning experience at a tenth of the cost of the more traditional summer camps. The online format also means that kids can keep in touch with their new friends and counselors and keep working on projects even after the one-week camps. And, we run a free, moderated Minecraft server that kids can connect to year-round to continue their learning.”

It can be hard for parents to find tech camps that are affordable, work with their kids’ busy schedules and tap into a passion for all things Minecraft, added Katie Salen, Connected Camps co-founder.

“The best way for kids to develop tech skills and interests is through fun and challenging projects with peers and mentors they feel connected with. We run camps that meet kids where they are, catering to interests in games, exploration, and design, as well as girls-only camps.” Salen said. “Connected Camps draws on over a decade of research on STEM learning and online education.”

Campers, ages 8-13, can connect from the convenience of home, and learn in small groups from expert counselors who are passionate about topics like coding, game design, and creative building. Campers learn by doing, creating projects like race courses, cities, automated machines, mazes, and more. All campers receive a personal certificate of completion from their counselor, and can continue learning on the free Kid Club server with counselor-led building and survival challenges, mini games, and clubs for various interests.

“We think of Minecraft as more than just a game,” said Tara Tiger Brown, Connected Camps co-founder. “To us, it is a flexible, design-friendly environment that not only lets the imaginations of kids run wild, but also teaches them about problem solving, programming, and getting along with others.”

Those who purchase one camp are offered a 20% discount on all other camps. In addition, Connected Camps will be giving away a free Piper computer kit — a computer that kids assemble themselves and runs the Raspberry Pi Edition of Minecraft Story — to one lucky camper, who registers by March 19 this year.

To register for camps, enter the giveaway, or for more information, visit connectedcamps.com.

About Connected Camps
Connected Camps is a benefit corporation providing connected learning experiences that foster creativity, problem solving, collaboration and interest-driven learning. Its mission is to build a global online community where kids build, code, play, and learn from one another. Tapping the power of youth tech experts to teach and mentor, Connected Camps has served thousands of kids through its online and community-based programs. Connected Camps is a member of the Connected Learning Alliance, which supports the expansion and influence of a network of educators, experts and youth-serving organizations mobilizing new technology in the service of equity, access and opportunity for all young people.

Summer Online Minecraft Camps Begin June 26

Review: Disney’s ‘Beauty And The Beast’ Gets Lost In Translation

Review: Disney’s ‘Beauty And The Beast’ Gets Lost In Translation

The Box Office:

Walt Disney’s Beauty and the Beast hits theaters in North America (and elsewhere) on March 17, 2017. The film is the latest in one of the Mouse House’s most valuable would-be franchises. What started as a “wow” moment with Tim Burton’s Alice in Wonderland (2010)which made $1.025 billion worldwide, thanks to a well-timed release date and spectacular director, concept and stars, has now morphed into a regular feature of the Disney playbook. And the only question is whether this $160 million-budgeted live action/CGI hybrid fantasy will become the fairest one of all.

For the record, it is entirely possible for me to argue that this Bill Condon-directed adaptation of the 1991 animated feature has a solid shot at becoming one of the highest-grossing movies of the year while swearing up-and-down that it doesn’t have to clear $1 billion to be considered a success. But as this is the first one of these live-action adaptations to retell a more contemporary Disney animated feature, we’re getting a comparatively unprecedented shot of nostalgia and multi-generational interest.

You’ve got adults who grew up with the Oscar-nominated toon, kids who will come to this either with fresh eyes and everyone in between. Oh, and toss in Emma Watson as the title character, just as the kids who grew up with Harry Potter are coming of age, and you have a financial concoction so perfect it borders on evil. Including the 2012 3D reissue and not accounting for inflation, the original toon has earned $216 million domestic and $424m worldwide. It will be fun to see how quickly that figure gets trounced by this new variation. Say what you will about Disney’s diabolical doings, but if it gets them the money to make the likes of Pete’s Dragon and Queen of Katwe, then be my guest!

The Review:

Walt Disney’s Beauty and the Beast is the first of these newfangled live-action fairy tale adaptations that feels motivated purely by financial whims. The live-action adaptation of the 1991 animated musical is less of a new interpretation of an old text than a straight remake of a popular movie purely because that previous film was popular. It is a celebrity cover band version of the animated movie, intended primarily to milk nostalgia and cross-generational interest. Yet it is burdened by length-padding digressions, miscasting, a choppy narratives and an emotional detachment that only highlights that icky subtexts within.

One of the core problems, believe it or not, is Emma Watson as the title character. Even with slight revisions to make Belle more of a master of her own destiny, this is still not the healthiest romance ever told. Unlike, say, Twilight or Fifty Shades of Grey, it is a romance that begins absent consent and without equal agency. And Watson can’t quite sell her own acceptance of this narrative. Like Jodie Foster in Anna and the King, Watson can’t quite dumb herself down to the level of buying it.

Belle is much more engaged when she’s fending off Gaston (Luke Evans) or conversing with her father (Kevin Kline). She looks unsure of how to react when she’s watching a bunch of silverware put on a dinner theater or falling for a relatively charmless Beast (Dan Stevens, with a great singing voice even if I kept thinking of Colm Wilkinson’s Jean Valjean). The film is much stronger, at least as surface-level entertainment, in the village sequences, where good actors are conversing with each other, as opposed to Beast’s castle where good actors do their best to bring visually displeasing CGI creations to life.

What works fine in animation–the various anthropomorphic dishes and tea cups singing and dancing–comes off as awkward in live-action. Much of the Beast’s castle is visually drab and ugly, in contrast to the bright and vibrant village sequences. That may be intentional, but since much of the film takes place in said location, it’s akin to a horror movie set in a single poorly-lit locale. Further muddying the waters is a series of digressions and complications that stretch the film to over two hours while offering little beyond undoing what was a fat-free and airtight screenplay of logical cause-and-effect.

We get a new subplot explaining, in detail, what happened to Belle’s mother and Gaston gets more scenes with Belle’s dad, which only serves to overly complicate Gaston’s third-act machinations. While more Kevin Kline is a good thing, the extraneous material and altered emphasis has two significant consequences. They make Gaston much more interesting than anyone else onscreen while pushing the Beast himself into a narrative corner until the film’s second half. Both sabotage what should be the movie’s core dramatic arc.

Luke Evans is pretty great as Gaston, and he is almost sympathetic until the story demands that he cross a clear moral line. Sure, he’s a take on the proverbial “nice guy,” but Evans imbues him with a certain level-headed charm and an awareness of societal injustices. That he’s totally okay with his best pal (Josh Gad) nursing an obvious crush on him makes him that much more endearing for the first half of the picture. Besides, he’s comparatively better than the abusive monster who locks women in cages.

This live-action version emphasizes one of the big problems with the animated film, namely that the Beast and his servants assume that that just because Belle is an attractive young girl that she might be “the one” to break their curse. They expect her to fall for him with just a token amount of effort. All due sympathy in regard to their cursed state, but every single action they take is self-serving. Beast saves Belle from the wolves not because he does a mitzvah but because it is in his interest for her to not die. Ditto the candlestick and the teapot and the feather duster all making Belle feel at home and trying to convince her that the abrasive, monstrous head of the household isn’t all that bad. It’s not quite gaslighting, but it’s close.

The Beast himself is largely absent in the film’s first half, until it is time for him to soften up and woo his would-be bride. Due to an arbitrary restructuring of certain plot points and dialogue exchanges (the library reveal is basically accidental), the Beast comes across as less sympathetic. This only highlights the fact that Beauty and the Beast is arguably something of a bodice-ripping Harlequin romance story squeezed into a G-rated bottle.

What works in the animated movie just doesn’t travel into the live-action realm. And that’s a problem considering Bill Condon’s core mission is to turn the animated feature into a live-action romantic fantasy. Unlike the previous live-action fairy tale adaptations, the ones I liked (Pete’s Dragon, Cinderella) and the ones I didn’t (Maleficent, Alice in Wonderland), this doesn’t even add anything to the mythology or bring anything new to the table.

It’s a deluge of good actors (including Ian McKellen, Emma Thompson, Ewan McGregor, Audra McDonald, Stanley Tucci and Gugu Mbatha-Raw) trying their best in what amounts to a cover band of a popular album. The new version feels obligatory rather than narratively organic, with the core romance feeling unearned. The love story plays out merely because all parties know how the plot must go. All we can do is simply admire the visual elements, the pomp and circumstance and the new variations on iconic beats.

And, source material fidelity notwithstanding, I’d like to think we’ve advanced a bit beyond the whole “that mean creepy dude is really a sweetheart once you get to know him” trope. On one hand, that’s the story. But it says something about our addiction to nostalgia that we keep having to tweak old stories so that they are slightly more palpable to modern audiences.

Since the Mouse House is going to make a fortune on this one, I think I can admit that I was never a huge fan of the 1991 film for much of the same reasons, namely the notion of rewarding the Beast for the initial act of kidnapping a young girl and being cruel to her. We can at least acknowledge something unsavory about the stories that are chosen as the next mega-bucks blockbuster.

If you argue that I’m overly harsh, it’s partly because I know Walt Disney can do better in this specific sandbox and I don’t feel the need to be too charitable to a movie that’s going to make a gazillion dollars anyway. My daughter liked it just fine, and I’m glad that I saw it in an environment with enough kids in the audience to observe their reactions. My critical opinion on this one is going to matter as much as my pan of Illumination’s Sing, which I made a point to see in that #SingSaturday national sneak preview, and I suppose that’s okay.

This new version accidentally accentuates the icky text at the core of the story while the plot alterations cause confusion and delay. If I was overly harsh on The Force Awakens partly because I feared it would unleash a deluge of glorified remake-quels, I also worry that the Mouse House will look at the success of this carbon copy revamp and choose to go in that direction instead of the likes of Pete’s Dragon and Cinderella. Nonetheless, Beauty and the Beast is among the lesser entries in Disney’s recent live-action fairy tale theater.

Review: Disney’s ‘Beauty And The Beast’ Gets Lost In Translation